Simple : the 7 has to go a half step down (major is 1 3 5 7, dominant is 1 3 5 b7). Now what needs to happen if we want to make this chord dominant? In our example we have got a Cmaj9 chord with the 3rd (E) in the bass. There are three types of chord inversions : with the 3rd in the bass ( first inversion), with the 5th in the bass ( second inversion) or with the 7 in the bass ( third inversion). Instead of playing the root of the chord, we now play the 5th on the high E-string.Ī chord like this is called a chord inversion : a chord that has a note other then the root in the bass. Tangga nada ini terdiri dari do, re, mi, fa, so, la, si, do. Nah, contoh dari tangga nada diatonis mayor yaitu C mayor. Jarak antara nada atau not pada diatonis mayor adalah 1-1-1-1-1. This would be a nice chord if you’re playing bossa nova, solo guitar or in duo setting, but if you play with a bass player and you don’t want to get in his way, it’s better to omit the root and to play on the higher strings only : Tangga nada diatonis mayor merupakan salah satu tangga nada yang umum digunakan pada sebuah musik. We exchanged the 5th on the D-string for the 3rd and we changed the 3rd on the B-string to a 9. Instead of duplicating the root on the G-string, we exchanged it for the 7 of the chord. This chord doesn’t sound very jazzy though, so let’s spice it up a bit : You see that it is ok to duplicate chord tones, like the 1 and the 5 in our example, but it may sound a bit sluggish. 5 : the 5th is played again, but this time on the high E-string
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